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Barracoon : the story of the last "black cargo" / Zora Neale Hurston ; edited by Deborah G. Plant ; foreword by Alice Walker.
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- Publication Information:New York, NY : Amistad, an imprint of HarperCollins Publishers, 
- Publication Date:2018
- Physical Description:xxviii, 171 pages : illustration ; 22 cm
- Publication Type:Book
- Document Type:Bibliographies; Non-fiction; Individual biography
- Subject Terms:Slaves -- Alabama -- History -- 19th century -- Biography; West Africans -- Alabama -- History -- 19th century; West Africans -- Alabama -- Biography; Slaves -- Alabama -- Biography; Slave trade -- Alabama -- Mobile -- History -- 19th century; Slave trade -- Africa -- History -- 19th century; Slavery -- Alabama -- History -- 19th century; Slave trade -- United States -- History -- 19th century; Slave ships -- Alabama; Social Science / Ethnic Studies / African American Studies; Social Science / Slavery; Biography & Autobiography / Cultural, Ethnic & Regional / African American & Black
- Subject Terms:Mobile (Ala.) -- History -- 19th century
- Subject Terms:Clotilda (Ship)
- Subject Terms:Lewis, Cudjo
Booklist Reviews 2018 May #2
*Starred Review* In 1931, years before the fiction and folklore that ultimately would make her famous, Hurston completed a nonfiction account of a man who was one of the last-known survivors of the Atlantic slave trade. Kossola (Cudjo Lewis) was captured at age 19, lived for five-and-a-half years as a slave, and later helped found Africatown, renamed Plateau, Alabama. As an ethnographer, Hurston came to meet and interview the 86-year-old Kossola but understood the value of his first-person narrative as folk art, preserving stories and traditions conveyed by those who actually lived them. Like a griot and in his own vernacular, Kossola recalled his life in Africa, the wars that resulted in enslavement, the Middle Passage journey to America, and life as a slave. He also spoke of his Christian faith and memories of the spiritual traditions of his homeland and his lifelong yearning for Africa. The introduction provides context for Hurston's struggle with the conventions of ethnography and her own appreciation for the opportunity to learn about the slave trade from the perspective of the enslaved. This is a fascinating look at the journey of one man, reflective of the African American experience. It also attests to Hurston's development as an author and ethnographer, and stands as a work of profound relevance, its illumination of slavery, freedom, and race as timely as ever. HIGH-DEMAND BACKSTORY: This newly published work by trailblazer Hurston, with a foreword by Alice Walker, will garner tremendous attention. Copyright 2018 Booklist Reviews.
LJ Reviews 2017 December #1
In 1927, iconic African American writer Hurston interviewed 95-year-old Cudjo Lewis, the last known survivor of the Atlantic slave trade, smuggled from Africa on the final slave ship to arrive in the United States. Astonishingly, this account of their conversations has never before been published. With a 150,000-copy first printing.Copyright 2017 Library Journal.
LJ Reviews 2018 May #1
Novelist Zora Neale Hurston drafted Barracoon in 1931, but the work has never been published until now. At once a work of anthropology, folklore, and reminiscence, the book relates the interviews Hurston conducted in 1927 with Cudjo Lewis (1840–1935), the last known survivor of the Atlantic slave trade. Much of Lewis's retelling focuses on growing up in a Yoruba village in West Africa, his capture by slavers and transport on the Middle Passage in 1860, and life after emancipation in helping to build Africatown, a refuge former slaves established near Mobile, AL. Lewis describes his brutal enslavement and the racism that followed his emancipation. Hurston demonstrates interest, even shock, at what Lewis chooses to tell her. This is a rare account of the full experience of enslavement from capture to "freedom," and a revealing look at Hurston's maturing as a folklorist sensitive to dialect and interviewees' authority over their own stories. This first edition of Barracoon gains from author Deborah Plant's introduction, which places Hurston's work in historical and literary context and addresses her folkloristic approach to frame Lewis's interviews.
PW Reviews 2018 March #4
This previously unpublished manuscript from Hurston (1891–1960) is a remarkable account of the life of Kossola, also known as Cudjo Lewis, the last survivor of the last American slave ship. Before writing
Cudjo's story was great
i enjoyed Cudjo's story and his tales in the appendix. i did not enjoy the very long introduction which repeated itself. i like the parts of the introduction that explained why Cudjo and his fellow Africans from his nation were considered the last "black cargo." that was useful. the whole back story of how they got there and the ship owners-useful. i also didn't mind the background of what Zora Neale Hurston was doing at the time just before interview in Cudjo. all that led up to those interviews. BUT the tedious theorizing about the plagiarism and if she did or didn't like working for that particular professor was too much. nobody knows. plus it had nothing to do with Cudjo's story. also the games in the appendix; not sure why they were in there. maybe Cudjo mentioned these games and i missed it becasue it was audio so the words were not familiar to me. i think since she was an academic that this very short interview was meant to be an essay in a periodical not turned into a book. it's not long enough for a book. if you took out the very long introduction the it would have been one CD. i think maybe she would have included other interviews with other residents of Africatown or other very old slaves. i am glad i listened to it becasue it's hard for me to read broken English dialects but i liked the way Robin miles spoke it. it was like a song. so really 3 stars for the parts i mentioned 1 star for like half of the introduction that was superfluous.
An excellently written account of the life of Kossula aka Cudjo Lewis.
Excellent story. I kept reliving the story in my mind daily. I listened to the story twice on audio.
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